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Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

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What a change!

I turn towards him and stare at him – he’s a lump of flesh, which just breathes, writes Humra Quraishi

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Hollywood icon: The Rock

Khalid Mohamed reviews the Netflix mini-series, Hollywood, which in part attempts to depict the story of the iconic Rock Hudson’s struggl...

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Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

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A touch of class

Review of Season’s Greetings, a short film which probes sexual identities

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Panchayat: Apna Gaon Apna Desh

Three cheers to Panchayat, a binge-worthy series at long last, in these stricken times - Khalid Mohamed