A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

A Silent Storm

All possible efforts like the Bharat Jodo Yatra should be made to stop the fascist forces, otherwise our future generations will suffer greatly...

K.K RAINA: The Act of Life!

Aparajita Krishna walks down the road, which brought writer, director, actor K.K. Raina, from his homeland Kashmir to Mumbai, ...

Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

Fourth Edition of SamaBhav Ends

The fourth edition of SamaBhav, which ended on 22nd August 2022 in Dhaka Bangladesh has so far traveled to 31different cities and 14 Rural Dist...

ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

NSD & Bollywood

Who is doing for whom? Monojit Lahiri does an interview-based close-up of this contentious issue.

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Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

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