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Oh, the suspense!

Film historian Dhruv Somani, fondly remembers the whodunit, Gumnaam, produced by N.N. Sippy and directed by Raja Nawathe, whic...

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Solace in Solitude

Khalid Mohamed expresses his gratitude for the abiding presence of the therapeutic voice of Lata Mangeshkar during the anxiety...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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Sita Rattan: Her blue and yellow moments

Vinta Nanda visits Sita Rattan’s canvases and explores the well of consciousness that she draws out her art from.

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Where there is no will, there is violence

Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery...

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SAHOBASHE

Debutant filmmaker Anjan Kanjilal and stars Anubhav Kanjilal and Ishaa Saha speak to Shantanu Ray Chaudhuri about their forthc...

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How to go bonkers

Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the co...

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Bhagat Singh’s writings on caste

In his writings on caste, Bhagat Singh understood the practice of untouchability and its associated binary of purity-pollution as an integral p...

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Imagine Norman Bates’s Kolkata cousin as a paying guest in your home

Shantanu Ray Chaudhuri reviews Bengali streaming platform, Hoichoi’s much-publicized psychological horror Mohomaya

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When R.D. Burman met the Jazzman

Edited excerpts from the book Louis Banks: A Symphony of Love by Ashis Ghatak

As a young ...

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