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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

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They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...

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Stay safe, ignore alarming news-spreaders

An update by Dr Kishore Madhwani on the pandemic situation in India and globally

As Corona positive cases increase across the globe, our only weapo...

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More than a woman: Gajra Kottary

Vinta Nanda grabs an opportunity to talk to author and screenwriter Gajra Kottary about her work and also her latest release N...

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Sign of the Times: Tyranny is simply tyranny!

Humra Quraishi discusses the state of eternal damnation, which those who are released after having spent years of imprisonment...

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Prem Tame: Love’s Labour Lost

Shantanu Ray Chaudhuri writes that an inspired final act and a brilliant soundtrack cannot overcome the shortcomings of vapid ...

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#MeToo: Has the movement slipped through the cracks?

Vinta Nanda wonders if the #MeToo movement changed anything for women who wanted to speak against sexual harassment.   Read More