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Hamari Amita: Critic who called the shots

Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and...

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Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

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Bringing up Baby

On the heels of the success of Mimi, film historian, Dhruv Somani, writes on the subject of surrogacy depicted in the Bollywoo...

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Sign of the times: The War Within

Humra Quraishi explains the position of Muslim minorites in ‘new’ India and meets VK Tripathi and M. Y. Tarigami t...

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N. N. SIPPY - ACTION!

In a cool chat with Producer Pravesh Sippy and his sister Shabnam Pillai, Aparajita Krishna scans the history of N. N. Sippy P...

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The Women of the Farmers Agitation

Subhashini Ali writes about the Women farmers’ parliament - a parliament that the government is determined to keep ordin...

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They go to die there, where there is life

Humra Quraishi veers to the bard, Gulzar’s verse written by him in the times of the pandemic.

Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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