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TRENDING: PATRIOTISM FOR PROFIT & ELECTION ADS

Is nothing sacred in today's media landscape, dominated by relentless election advertising, wonders Monojit Lahiri. He explore...

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POLITICS: WHY INDIA MUST QUESTION A DECADE OF FAILED LEADERSHIP

"Why should the people of India continue to vote for a politics that, after ten years in power, has left citizens despairing for basic needs an...

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FESTIVALS: GRAND FINALE AT KASHISH PRIDE FILM FESTIVAL

Indian Trans and Non-Binary filmmakers, actors win big at 15th KASHISH Pride Film Festival. Indian films Night Queen, IYKYK won, along with Dea...

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ALTERNATIVE ENTERTAINMENT: REVERSING ROLES IN CHAALCHITRA EKHON

‘Chaalchitra Ekhon’ serves as a reflective piece on the generational shift from Western-centric aspirations to a more introspective...

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TRENDING: STOP MISREPORTING DEMOGRAPHIC STUDIES TO CREATE FEAR & DIVISION

Media must not misreport the study on population by PM-EAC: Population Foundation of India makes an appeal ac...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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THOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA

Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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