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No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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The Forever Story: Protima Gauri (Bedi)

Humra  Quraishi writes that Protima Bedi, was the quintessential modern Indian woman who had once written her own destiny...

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My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Meet Roshni Nuggehalli and Marina Joseph of YUVA

In this time of Covid-19, the world has witnessed upheaval in almost every sphere of life while impacting the s...

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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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Mind Your Language: Vidya Balan on how to get the ps and qs right

Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...

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Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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Speak English, Drink Rum: Women at the workplace

Vinta Nanda recalls the times when she was a smoker, enjoyed drinking rum and coke every other evening and also spoke fluent E...

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