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Retroscope

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Kaleidoscope

My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Alternative Entertainment

No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Thought Factory

Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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Powerful People

In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Gender

Speak English, Drink Rum: Women at the workplace

Vinta Nanda recalls the times when she was a smoker, enjoyed drinking rum and coke every other evening and also spoke fluent E...

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Powerful People

Kulmeet Makkar: The man who never said ‘No’

A thought crossed my mind as I said a small prayer last night, “I’ve written two tributes back to back for Irrfan Khan and Rishi Ka...

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Bollywood

Goodbye Irrfan Khan

I still remember the first time I met Irrfan Khan. It was at Navnit Nishaan’s house at a dinner she had hosted when we were making the se...

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Powerful People

This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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Trending

Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

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