The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

Where there is no will, there is violence

Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery...

How civilized is the civilized world?

Vinta Nanda insists that we, the so-called civilized people, talk about poverty, violence and exclusion.

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Born to act: Ahlam Khan Karachiwala

Aparajita Krishna takes a walk through the life of actor Ahlam Khan Karachiwala, born to Indian cinema’s most loved Amja...

Frankly Speaking

Film historian Dhruv Somani, tracks down Ranjeeta, who had wowed the audiences with major hits like Laila Majnu, Ankhiyon ke J...

The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...