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GIVE LOVE A CHANCE!

Replacing his film journo’s cap for the Ad-man’s hat, Monojit Lahiri explores the hidden virtues of love as a bran...

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Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

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When Dreams Fade

Film historian Dhruv Somani narrates the cautionary tale of Katy Mirza, the Playboy Bunny who sought a career in Bol...

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Leader of masses: Pandit Jawaharlal Nehru

Pandit Jawaharlal Nehru, builder of modern India, was indeed a statesman and leader of the masses, writes Humra Quraishi<...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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The Soap Opera

Film historian, Dhruv Somani, tracks the Bollywood stars who have endorsed the iconic Lux toilet soap over the decad...

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The Cover Girls

Even as the print medium is in a quandary, Khalid Mohamed selects his all-time top 12 Cover Girls of film magazines.

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ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

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