Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...

DIVYA SETH SHAH: Actor for a Lifetime!

Aparajita Krishna is in this free-wheeling conversation with actor Divya Seth – packing her life, friends, family and ca...

FROM MERE MEHBOOB TO FEVICOL

Bollywood’s amazing lyrics story down the decades - Monojit Lahiri lays it on the line.

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Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

Suspense Classic

Film historian Dhruv Somani reveals the behind-the-scenes moments of the cult classic, Teesri Manzil (1966), produce...

WHO SHOULD BE MADE TO COMPENSATE?

From the institutionalisation of bias to literature about the greatest artists of the past, Humra Quraishi’s c...

On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

Dream Interrupted

Film historian Dhruv Somani laments the fact that Muzaffar Ali’s Zooni (1989), with Dimple Kapadia in the title role, co...