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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultWHEN INDEPENDENT FILMS FIND THEIR AUDIENCE





From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...
Read MoreHOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION
When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...
Read MoreWHY ARCHIVING CINEMA MATTERS: NEVILLE TULI
A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...
Read MorePOWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE
Khalid Mohamed in conversation with the indefatigable poet, lyricist, story-script-writer and film director Gulzar Read More
KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW
Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...
GENDER: CHAI AND LOVE MEET ON STAGE
In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...
Read MoreTRENDING: THE QUIET POWER OF COSTUMES
Costume designer Pia Benegal reflects on why her craft remains invisible, how clothes shape character and narrative, and why a...
Read MoreRETROSCOPE: REMEMBERING RAY’S IMMORTAL…APU!
On the late, legendary Soumitra Chatterjee’s 91st birthday on January 19th Monojit Lahiri pays homage to the remarkable ...
Read MoreBUSINESS: GIG WORK AND CAPITALIST FAILURE
Sharad Raj examines the New Year’s Eve gig workers’ strike to expose how neo-capitalism, privatisation, and algori...
Read MorePOWERFUL PEOPLE: A BEAUTIFUL MIND
Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...
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