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As a year goes by

Khalid Mohamed remembers the super actor and always-supportive friend, Rishi Kapoor, on the event of his first death anniversa...

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The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

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Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

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Explaining the lockdown to children

Family members talk to Monarose Sheila Pereira about th...

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They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...

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Bhagat Singh’s writings on caste

In his writings on caste, Bhagat Singh understood the practice of untouchability and its associated binary of purity-pollution as an integral p...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

The South Wave

Film historian, Dhruv Somani, rewinds to the time when there was an influx of heroines from Southern cinema to Bollywood.

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