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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Rickshawala

After the critical success of Seasons Greetings, Ram Kamal Mukherjee is back with a loving ode to that hoary Kolkata institution - the hand-pul...

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Broken windows and promises

Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separ...

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Gentleman Extraordinaire: Phani Majumdar

Rinki Roy Bhattacharya shares her experience of meeting Phani Majumdar, a filmmaker and man ex...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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The Missing Documentary

Khalid Mohamed writes on his documentary on the superstar cinematographer, Ashok Mehta, which ...

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Those magical tours

Rumi Taraporevala travels back in time, to recapture the joy of the iconic Lala Tours of Bombay, conducted by St. Xavier&rsquo...

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Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

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Mohomaya Chapter 2

Shantanu Ray Chaudhuri: Chapter 1 of Mohomaya, a first-of-its-kind psychological/horror experience for a Bengali OTT platform, was skating on thin ice from...

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How civilized is the civilized world?

Vinta Nanda insists that we, the so-called civilized people, talk about poverty, violence and exclusion.