Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

Reincarnation: Bollywood’s affair with rebirth

Film historian Dhruv Somani gives you a lowdown on the ...

Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

Film Appreciation Course with Arunaraje

Film Institute of India and the National Film Archive of India, Pune are conducting an online Film Appreciation Course after their regular summ...

Between Fake News and Truth…

In these extraordinary times, like everywhere else in the world, fake news and misinformation are spreading like wildfire around Covid-19 and r...

The Last Concert

Begum Akhtar passed away a day after her concert in Ahmedabad on 29 October, 1974. Here’s a rare photo-essay of that enchanted evening by...

The Talented Taurean: Bhanu Athaiya

Bhanu Rajopdhye Athaiya was born on April 28, 1929 in Kolhapur. Humra Quraishi interviewed Athaiya around ...

The Revolutionary

Khalid Mohamed looks back at the film legacy of the Bengal auteur, on the day of Mrinal Sen’s 97th birth anniversary today.

There’s a r...

Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...