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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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A Few Bad Men (and Women): The Journey of the Villain in Hindi Cinema

National Award-winning Balaji Vittal speaks to Shantanu Ray Chaudhuri on his new book, Pure Evil: The Bad Men of Bollywood

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In the land of the capitalists

‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...

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The Performing Arts in Lockdown

Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...

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Game Changer, Marketer, Entertainer, Interpreter: The Film Critic

Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...

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At office or from home, is the big question!

Many organizations are now asking their employees to join the office. Various professionals speak to Monarose Sheila Pereira ...

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The magical language of Gulzar

Juhi Saklani looks at the way filmmaker, poet, lyricist and writer Gulzar creates language and immortalizes his words by makin...

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‘Having a blast’ is a very ordinary thing to do!

How often have we all said, “Hey, let’s have a blast”, or, “What a blast we had last night”, writes Vinta...

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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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The sky is not the limit: Syed Asad Abbas

Langston Hughes said, “Hold fast to dreams for if dreams die life is a broken-winged bird that cannot fly” and MC Abbas lives by th...

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