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Shot by shot

A photo-essay by ace photographer Subi Samuel of  Sushmita Sen, a woman of strength and substance.

It must have been around 1996, a little bef...

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Songs of Durga puja

Ashish Ghatak writes on the songs of R.D. Burman and Asha Bhosle which continue to resonate during the puja week, which ends t...

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Robots At Your Service: Tomorrow Is Here

The technological innovations in these fields seem to be well timed – just the right thing, at the right time, futuristic and safe - to u...

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Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Rameshwari wahi jo sab ka man bhaaye

Aparajita Krishna takes us with her on a journey through Rameshwari’s life - from a student of acting to becoming a film star, wife, m...

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Office Pods and the new normal

Dr Anurag Yadav wonders if the employers making policies to work from home, will reduce travel...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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