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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultPOWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...
Read MoreALTERNATIVE ENTERTAINMENT: REMEMBERING RITUPARNO
Gone but forever remembered is Bengal’s – and India’s – late and classy filmmaker Rituparno Ghosh. On his 12th death an...
Read MoreKALEIDOSCOPE: REIMAGINING TAGORE – INTIMACY & IDEOLOGY
A bold theatrical reimagining of Tagore’s Ghare Baire, Ghar Aur Bahar explores the fraught intersections of love, ideol...
Read MoreTHOUGHT FACTORY: CENSORSHIP, CINEMA, AND THE COST OF CONSCIENCE
A searing conversation between filmmaker Vinta Nanda and journalist Anna MM Vetticad on censorship, complicity, and conscience...
Read MorePOWERFUL PEOPLE: IN THE NAME OF THE FATHER
From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...
Read MoreKALEIDOSCOPE: RAJ KHOSLA NOW IN WORDS & LITERATURE
A landmark biography by Amborish Roychoudhury, with Raj Khosla’s daughters Anita and Uma, unveils the genius, music, and humanity of a di...
Read MoreTHOUGHT FACTORY: WHAT MY MOTHER TAUGHT ME
On Mother's Day, I, Vinta Nanda, reflect on how my mother’s clarity in a chaotic world, exposed the dangers of ...
Read MoreTHOUGHT FACTORY: FROM MAA TUJHE SALAAM TO OPERATION SINDOOR
Invoking the mother as a symbol of national strength must honour all her children—across faiths, castes, and cultures—if Operation ...
Read MoreBOLLYWOOD: SOME STORIES STAY BURIED
Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...
Read MoreFESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??
Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...
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