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Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...

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How to combat the coronavirus right now

Dr. Kishore Madhwani writes on everything you must know today with the nation’s ongoing tireless vaccine drive and how w...

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Open mail to Parineeti Chopra

Khalid Mohamed writes to Parineeti Chopra about The Girl on the The Train, has issues with Hello Mini 2, and checks out the tr...

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Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

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Hope Factory: Business Ideas For Everyone

Vinta Nanda chats with Tarun Agarwal, author of Hope Factory: Business Ideas For Everyone, about his latest book and other thi...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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To the country into which we were not born

“Twenty minutes ahead in the greatest terrorist attack of the year” – was Arnab Goswami&rsquo...

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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

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