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MY LIST OF THE MOST POWERFUL PEOPLE OF 2023: VINTA NANDA

In a world dominated by mainstream narratives and established structures, the celebration of independent art, business, social work, and litera...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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DILIP KUMAR AT 101

Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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EK RUKA HUA FAISLA (12 ANGRY MEN) IN FOCUS THIS WEEK

Ek Ruka Hua Faisla (A Pending Decision) is a 1986 Hindi language courtroom drama directed by Basu Chatterjee, writes O.P. Srivastava Read More

BOLLYWOOD TIK-TALK: BRIDGING GAPS AND SHAPING THE FUTURE OF STORYTELLING, AND MUCH MORE

Looks like this is the season of festivals, events and exciting things. From Karan Johar inaugurating Celebrate Cinema at WWI to Shilpa Shetty ...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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