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An anthem and counter-anthems: Pyaasa

This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...

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Signs of the time: Silencing the past

Humra Quraishi writes about Jallianwala Bagh, the tragic memories it holds, and the recent renovations made that have snatched...

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Building bridges: Rekha Surya

Even before her soulful voice creates magic and captivates you, her charismatic persona hits you with an overpo...

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Signs of the times: The Needle of Suspicion

Humra Quraishi explores what causes the chasm between the Hindus and Muslims to widen in India...

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Hello, says the killer: Mukhosh

This serial cop-killer flick does not quite cut it either as a thriller or as a statement on crime and punishment, writes Shantanu Ray ...

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Her Bollywood

Anubha Yadav’s book Scripting Bollywood: Candid Conversations with Women Who Write Hindi Cinema, lights up a neglected space in film...

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BINISUTOY - Without Strings…

Atanu Ghosh’s new film weaves a delightful tapestry that defies genre pigeonholing, writes Read More

Sagar Sawarkar & the Indian Idol Connect!

Aparajita Krishna travels with Sagar Sawarkar’s musical journey and shares her experience with us.

REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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