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HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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NINETY-ONE CHEERS FOR HOLLYWOODS DEATHLESS BEAUTY!

Monojit Lahiri salutes Hollywood’s last super-star who was a born headliner - her 91st Birth Anniversary appr...

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WE ARE NOT AT PEACE

Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st Februar...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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ALL ABOUT FRIENDSHIP

Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of...

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WE ARE SISTERS BORN

Humra  Quraishi recalls important conversations, she has had over the years with various people, twenty-one years after t...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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