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IS THE SLOGAN DYING?

Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future.

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ALL ABOUT FRIENDSHIP

Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of...

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

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ABOUT BRINGING GURU DUTT TO BENGALI READERS

Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika....

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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...

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A NOT SO QUIET PICTURE

Humra Quraishi questions the deliberate seeding of hate among different communities in India, which have lived in harmony for ...

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DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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