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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultPOWERFUL PEOPLE: ‘I’M EVERY WOMAN’
Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback
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ALTERNATIVE ENTERTAINMENT: THROUGH A MASTER’S LENS
Khalid Mohamed in conversation with the celebrated lensman, Rafique Sayed, on the vital essence of photograph...
Read MorePOWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...
Read MoreALTERNATIVE ENTERTAINMENT: OF HUMAN BONDAGE
Through his unflinching lens, GMB Akash documents the unseen struggles of the marginalised — using photography not just to witness suffer...
Read MoreFESTIVALS: STIRRING CELEBRATION OF INDEPENDENT CINEMA
WIFF’s Second Monthly Pre-Festival Screening: Where Stories Found Their Heartbeat and Conversations Sparked New Dreams — A Celebrat...
Read MoreALTERNATIVE ENTERTAINMENT: “I WANT TO TALK” AND EMOTIONAL IMAGINATION
I Want To Talk redefines emotion in Indian cinema, breaking away from mainstream conventions to offer a deeply immersive experience where viewe...
Read MoreGENDER: THE RELENTLESS FIGHT FOR EQUALITY
"From the wrestling mat to the streets, Vinesh Phogat’s struggle highlights the ongoing battle against systemic injustice and gender ine... Read More
KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW
Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...
Read MoreTHE RETURN OF BONG-SHELL BIPASHA!
Monojit Lahiri investigates the rise and fall of Bipasha Basu, and a much anticipated come-back of the sizzling hot star on OT...
Read MoreTAMAS: THE LIGHT OF TAMAS
Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...
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