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PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

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The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...

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WOMEN OF STEEL

Some among us could be talking about the conditions of prisons in the country, and the various challenges faced by inmates, but only a handful ...

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The Cover Girls

Even as the print medium is in a quandary, Khalid Mohamed selects his all-time top 12 Cover Girls of film magazines.

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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Cinema: A Lifetime Impact

An Art form, a masterpiece., pretentious nonsense, a waste of time and a passion, writes Shourya Sinha, as he deconstructs wha...

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Back on the Burning Train

Film historian Dhruv Somani, takes you back on a ride to India’s first disaster movie directed by Ravi Chopra, which had...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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Oh, the suspense!

Film historian Dhruv Somani, fondly remembers the whodunit, Gumnaam, produced by N.N. Sippy and directed by Raja Nawathe, whic...

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