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Retroscope

FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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Alternative Entertainment

ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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Festivals

STORIES TRAVEL FROM PAGE TO SCREEN

The Waterfront Indie Film Festival (WIFF) Mumbai launches its literature vertical with a two-day programme at SOCIAL V...

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Powerful People

JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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Festivals

MUMBAI DESIGNER WINS KASHISH POSTER

Mumbai-based designer Pari Nirmal wins the KASHISH 2026 International Poster Design Contest, bringing the festival’s the...

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Alternative Entertainment

SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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Retroscope

FORGOTTEN DANCING QUEEN OF HINDI CINEMA

The Last Dance: Tragedy of a Dancing Queen - Khalid Mohamed narrates the rise and fall of the iconic Cuckoo Moray, who mentore...

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Hollywood

MOTHER MYTH MAN CALLED SHAKESPEARE

Yashika Begwani reflects on Hamnet, where Chloé Zhao reimagines Shakespeare through Agnes, the grieving mother, explori...

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Festivals

DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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Business and Politics

THE ETERNAL CRISES OF FILM SCHOOLS

From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...

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