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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

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Mush do about something

Khalid Mohamed reviews the pleasant-enough road movie Kilometers and Kilometers from Kerala, the brain-bashing ode to violence...

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The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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Extraordinary

Harking back to one of the last freewheeling interviews given in New York by the famed actor, Peter O’Toole, in which he discusses Indian cricket, Bo...

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‘Remembering Truffaut’ at the 8th Jagran Film Festival

Mumbai, September 2017: Almost five to seven decades after the films of Francois Truffaut, the famed French Film Director who initiated the French New Wave would be on...

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Tangled, Toronto’s First Accessible Art Gallery For Disabled Artists, Is Bringing The Outsiders In

Outsider art – a term coined in 1972 by British art historian Roger Cardinal –was often displayed in the 1970s without the artist’s name, who was rarely e...

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