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THE RURAL BOY WHO BECAME A LITERARY ICON

Sohaila Kapur explores Mahesh Elkunchwar’s remarkable journey from rural Maharashtra to becoming one of Indian theatre’s mo...

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BIRDS IN THE DARK REVIEW

A luminous tale of souls in search of light. Saibal Chatterjee’s review explores Shashank Walia’s evocative directorial deb...

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DURGA PUJA: FAITH MEETS COMMERCIALISM

Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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THREE STORIES DEMANDING OUR ATTENTION

From an acclaimed Himalayan love story to conversations on body shaming, food safety, cybersecurity and AI, these are three stories from this week that des...

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SHAKUNTALA NAGARKAR: DEATH IN THE SADDLE

A tribute by Prof Dr Avinash Kolhe to legendary Lavani exponent Shakuntala Nagarkar, whose extraordinary artistry, wit, dignit...

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OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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HAS BOLLYWOOD FORGOTTEN SCREEN LOVE

Today, with crime nationalism, and action calling the shots has love vanished from the screens? Monojit Lahri investigates the fading l...

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