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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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RETROSCOPE: FORGOTTEN WOMEN OF HINDI CINEMA

Those forgotten B-grade movie divas of yesteryear: Khalid Mohamed recalls Indira ‘Billi’, Chitra and Naqi Jehan, j...

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FESTIVALS: FROM BUSAN TO SUNDANCE AND BACK HOME

Indian cinema continues to find new ground on the international stage, as emerging filmmakers and bold regional voices redefine the scope of st...

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MOVIES: DANCE OF PUPPETS AND DESIRE

Suman Mukhopadhyay’s Putulnacher Itikatha adapts Manik Bandopadhyay’s classic novel with sensitivity and cinematic depth, ...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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TRENDING: HUMAN STORIES STILL TOUCH HEARTS

Exploring romantic films Saiyaara and My Oxford Year, Yashika Begwani reflects on soulful storytelling, the AI era, and why hu...

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POWERFUL PEOPLE: ‘I’M EVERY WOMAN’

Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback

BOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE

This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...

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ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY

Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...

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BOLLYWOOD: LOVE TRIUMPHS IN SAIYAARA AGAIN

A surprise hit, Saiyaara blends old-school romance with modern aesthetics, reviving the “forever love” narrative in an age...

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