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Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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Photo Feature: The gifted Vickky Idnaani

Vinta Nanda collided with photographer Vickky Idnaani at a dinner party the other day and here she reproduces a fun conversation she had with him.

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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Of egoistic Indian men and Mulk Raj Anand

Humra Quraishi remembers Mulk Raj Anand on his birth anniversary and what he had said about Indian men consumed by superiority...

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The Performing Arts in Lockdown

Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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Best Photographs of 2021

Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, wri...

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The Missing Documentary

Khalid Mohamed writes on his documentary on the superstar cinematographer, Ashok Mehta, which ...

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Signs of the times: Death and Destruction

Humra Quraishi recalls Saadat Hasan Manto in the month of his birth, and imagines what he would have said and written in these...

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