BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

PURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED

In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...

STUDENT CITY PART 7

Prof. Dr. Piyush Roy’s nostalgic campus chronicle revisits the friendships, rivalries, romances and emotional entangleme...

THE UNIQUE LEGACY OF THE ANAND BROTHERS

In this evocative reflection, Prof. Dr. Avinash Kolhe revisits IPTA's Anand Hi Anand, celebrating the remarkable legacy of Che...

KEDIA BROTHERS AND THE RARE RAGA

A deeply meditative rendition of Ustad Ali Akbar Khan's rare creation, Raga Chandranandan, by the celebrated Kedia Brothers tr...

SHE WHO TOOK INDIAN CINEMA GLOBAL

Producer and global film strategist Gayathiri Guliani speaks to Vinta Nanda about Indian cinema’s international growth, ...

YOUNG INNOVATORS FIGHT MICROPLASTIC CRISIS

Indian teenagers Vivaan Chhawchharia and the Plas-Stick team have won The Earth Prize Asia 2026 for creating a low-cost tamari...

IPTA AT 84: RESISTANCE THROUGH THEATRE

Prof. Dr. Avinash Kolhe reflects on IPTA’s 84th year celebrations, tracing its extraordinary legacy of political theatre...

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

CANNES 2026 REVIEW: ELEPHANTS IN THE FOG

The Elephant in the Room – and Bey...