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FESTIVALS: THE POWER OF CREATIVE PARTNERSHIPS

At WIFF Mumbai 2025, a dynamic masterclass in collaboration with the Indo-Canadian Business Council (ICBC) unpacked the power of international ...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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TRENDING: A SYMPHONY OF MODERN MASTERS

Step into a luminous celebration of India’s modern art legacy, where Raza, Gaitonde, Mohamedi, and Souza unite in an exquisite dialogue o...

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THOUGHT FACTORY: 30 YEARS OF DDLJ & STILL RUNNING

From Eurorail to Sarson Ke Khet: An Ethnography of DDLJ’s Everlasting Romance with India by Yashika Begwani, explores wh...

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BOLLYWOOD: MR. MOHABBAT ZINDABAD!!

As Dilwale Dulhania Le Jayenge completes 30 years of success, Monojit Lahiri takes you down memory lane tracing the life and t...

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POWERFUL PEOPLE: THE QUESTION UNANSWERED

As India celebrates the birth centenary of Dr. Bhupen Hazarika, the Bard of the Brahmaputra, Utpal Datta recalls a poignant co...

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ALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME

When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...

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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT

A dinner party that promised tension, mystery, and satire turns into a clumsy masquerade of colonial hang-ups and self-importance. Lord Cur...

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