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ALTERNATIVE ENTERTAINMENT: RIEFENSTAHL REFLECTS MODERN PROPAGANDA

The documentary ‘Riefenstahl’ forces us to confront the haunting intersection of media, propaganda, and complicity in shaping autho...

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THOUGHT FACTORY: A LEGACY OF WAR AND INNOCENCE

In a world that promised an end to fascism and brutality, we see nations embroiled in modern ethnic cleansings, where civilians, including chil...

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TRENDING: A NEW DAWN OF INCLUSIVE LEADERSHIP

From Rahul Gandhi's padyatras to Engineer Rashid's Baramulla victory, India's electoral shift signals a rejection of divisive politics and a co...

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ALTERNATIVE CINEMA: THE CINEMA OF SOUND & CUT

"The Zone of Interest" and the cinema of sound and the cut is what Sharad Raj explores as he shares his personal experience wh...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

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LIMERICS AND THE TROUBLED TIMES OF FASCISM

Humra  Quraishi writes about Khushwant Singh, who was far sighted and told her, before he passed away in 2014, that he wa...

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‘KAIFI AUR MAIN’ KI KAIFIYAT

कैफ़ी और मैंकी...

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WHO KILLED MOHAMMAD IQBAL?

Humra  Quraishi laments the blatant targeting of everything termed un-Hindu by the present government and the systematic ...

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BEHIND THOSE TALL WALLS

Humra Quraishi recalls the words of Khushwant Singh in trying to understand the nature of the chaos that communal politics in ...

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