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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...

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BOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE

This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...

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RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

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THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY

Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...

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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES

On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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FESTIVALS: OF MUSIC, MEMORIES AND MUSICAL MEMORIES

Music weaves memory, emotion, and meaning into life’s quietest and loudest moments. On World Music Day, Shantanu Ray Chaudhuri Read More