WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

IS DIGITAL TECHNOLOGY KILLING…INTIMACY??

Monojit Lahiri does a check out on how technology has impacted the idea of intimacy and the concept of interpersonal communica...

SALUTING SATYAJIT RAY’S UNIQUE HEROES

Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...

SHAAN LENDS HIS VOICE TO RANGAYAN’S FILM KUCH SAPNEY APNE

Eminent singer Shaan, who has sung memorable songs like Jab Se Tere Naina (Saawariya), Kuch Toh Hua Hai (Kal Ho Naa Ho), My Dil Goes Hmmm (Sala...

SPECTACULAR ATTENDANCE AT INDIAN FILM FESTIVAL OF CINCINNATI

The curtains rose on the highly anticipated 7th Annual Indian Film Festival of Cincinnati on the 22nd August 2023, captivating attendees with a...

STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...

A DARK AND SHINY PLACE: EXPLORING GRIEF

Vinta Nanda talks to media professional and curator of entertainment content Pragati Deshmukh as she sets out to release her d...

A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

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