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Retroscope

RETROSCOPE: LOVE, FRIENDSHIP AND TRAGEDY

Khalid Mohamed rewinds to the extraordinary but forgotten story of  yesteryear’s actor Shyam, a major star actor wh...

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Powerful People

POWERFUL PEOPLE: IN THE NAME OF THE FATHER

From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...

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Movies

MOVIES: BALANCING ART, RECOGNITION & RESPONSIBILITY

Recognizing directors as the artistic visionaries behind cinema, Utpal Datta advocates for their official acknowledgment in fi...

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Kaleidoscope

KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: A TALE OF TWO VINAY SHUKLAS

Vinta Nanda finds out about the artistry of two Vinay Shuklas, independent filmmakers with distinct voices – one Bollywo...

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Festivals

FESTIVALS: FILM APPRECIATION COURSE MUMBAI NOVEMBER 2024

"Join the Film Appreciation Course in Mumbai with industry expert Sudipto Acharyya. Unlock the secrets of cinematic storytelling, from narrativ...

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Thought Factory

THOUGHT FACTORY: DISSENT IS A DIFFICULT PATH

All about the FTII protest against Gajendra Chauhan's appointment led by the students, including Payal Kapadia who has brought pride to the cou...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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Thought Factory

From King Lear to The Image Book: Jean-Luc Godard

The year was 1989, a print of Jean-Luc Godard's latest film, King Lear, an adaptation of William Shakespear's well known play was received by t...

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Thought Factory

‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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