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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultTRENDING: BEAUTY LIES IN BOTOX WITHIN
‘To Thine Own Self Be True…’ This famous quote from Shakespeare’s Hamlet has taken on a new meaning today, wi...
Read MoreBOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS
War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...
Read MoreALTERNATIVE ENTERTAINMENT: SHIKWA JAWAB-E-SHIKWA
François Truffaut’s Les Mistons provokes Gen Z discomfort and deepens the filmmaker's responsibility—raising timele...
Read MoreBUSINESS: THE BIG DADDY OF THE BIG IDEA!
Monojit Lahiri takes a trip down memory lane to salute Kersey Katrak, the father of India’s creative advertising across ...
Read MoreBOLLYWOOD: THE STAR WHO DEFIED CONVENTION
Discover the journey of Rajesh Khanna, the trailblazing superstar who broke all norms to become the unparalleled heartthrob of Indian c...
Read MorePOWERFUL PEOPLE: DEBASMITA DASGUPTA HAS COME A LONG WAY
“The most gratifying part of running this publication is that unique and immensely talented people connect with me”, writes
THE COURAGE AND CONVICTION OF SAIF HYDER HASAN
After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...
Read MoreFAR FROM HONEST, SAY VOTERS - DEMAND TRANSPARENCY
Humra Quraishi comments on the dissatisfaction of Indian voters with EVMs and explains how transparency can be achieved ...
Read MoreUNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA
When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...
Read Moreपानइंडिया (PaanIndia!)
The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.
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