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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultBOLLYWOOD IGNORES WOMEN IN COMEDY
Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...
Read MoreJOY SENGUPTA: ACTOR WITHOUT COMPROMISE
In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...
Read MoreFROM COPY LINES TO CROP LINES: ARTI DWARKADAS
Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...
Read MoreART IS BORN FREE: TEJAS SONI’S JOURNEY
Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...
Read MoreBOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US
In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...
Read MoreALTERNATIVE ENTERTAINMENT: AGE, STILLNESS, CINEMA
The stasis of old age rendered with precise strokes becomes not just a theme but an emotional landscape, where caregiving, memory, and routine ...
Read MoreTHOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO
Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...
Read MoreBOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES
“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...
Read MorePOWERFUL PEOPLE: PREITY ZINTA ON DOING IT HER OWN WAY
Khalid Mohamed’s throwback to a conversation with the iron-willed Preity Zinta, who’s set to return to the movies ...
Read MoreBOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS
War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...
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