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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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Signs of the time: About Indian Muslims

It’s about time we look into our backyards! And not ignore the murky events taking place there and along the by-lanes of our mohallas and...

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Sign of the times: The War Within

Humra Quraishi explains the position of Muslim minorites in ‘new’ India and meets VK Tripathi and M. Y. Tarigami t...

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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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Web talent on the rise but…

The fresh acting talent on the OTT platforms could rewrite the rules of Bollywood’s age-old star system but… are they promoted suf...

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Visual Instinct

Khalid Mohamed writes on discovering the rule-breaking art of Vishwanath Math on social media in the time of the Coronavirus.<...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Nepotism: Advertising Industry better or Bollywood?

Sandeep Goyal gives you a view to the nepotism, which mocks at as much talent in the Adve...

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