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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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The First Prime Minister of India

A day after Pandit Jawarharlal Nehru’s birth anniversary, also known as Children’s Day in India, we recall his leadership; the high...

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Vaccine Development: The Multiplier Benefits Of Blockchain

Despite the numerous advantages to using blockchain for the various stages of vaccine development and deployment enunciated above, a number of ...

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Signs of the times: Come October

Humra  Quraishi remembers classical singer Begum Akhtar, also known as Akhtari Bai and we...

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Question of Homesickness

Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu D...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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