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WHEN SAI FOUGHT FOR WRITERS’ RIGHTS

Khalid Mohamed revisits Sai Paranjpye’s battle over Chashme Buddoor, exposing how India’s screenwriters continue s...

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GULZAR’S LEGACY LIVES THROUGH WALKING

Prof Dr Avinash Kolhe chronicles the Gulzar Walk, an evocative literary heritage initiative by Urdu Markaz Rehguzar, celebrati...

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TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

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SHAMMI KAPOOR: BOLLYWOOD’S ETERNAL REBEL

Saluting The Memories Of Bollywood’s Timeless Rebel Star - Shammi Kapoor!! On his 15th death anniversary Monojit Lahiri remembers...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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SRIDEVI: BOLLYWOOD’S MOST MAGICAL SUPERSTAR  

On her 63rd Birthday, August 13, Monojit Lahiri traces the life and times of the late super-star Sridevi, whom neither age can...

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IAA LEADERSHIP AWARDS HONOUR ICONS

IAA Leadership Awards 2026 brought together India’s leading business, advertising, media and creative voices, celebratin...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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MARATHI MUSICAL THEATRE TAKES CENTRE STAGE

Prof Dr Avinash Kolhe explores the enduring legacy of Marathi musical theatre as Nehru Centre Mumbai presents its 34th annual ...

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