The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

The Varanasi mystique

A photo-essay by Ashis Ghatak, vivifying how the winter sets in on the holy city of Varanasi, on the banks of the River Ganges...

M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

Between Fake News and Truth…

In these extraordinary times, like everywhere else in the world, fake news and misinformation are spreading like wildfire around Covid-19 and r...

The Revolutionary

Khalid Mohamed looks back at the film legacy of the Bengal auteur, on the day of Mrinal Sen’s 97th birth anniversary today.

There’s a r...