Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

The Silenced Valley

Can bringing Cinema to the Kashmir Valley settle the wounds and trauma? No, says Humra Quraishi 

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From King Lear to The Image Book: Jean-Luc Godard

The year was 1989, a print of Jean-Luc Godard's latest film, King Lear, an adaptation of William Shakespear's well known play was received by t...

RUCHI NARAIN: On a creative roller-coaster ride!

Aparajita Krishna visits filmmaker Ruchi Narain’s world this time – a 360 degree roller coaster ride. Enjoy i...

ACTOR with a CAUSE

Khalid Mohamed’s heartspeak with Atul Kulkarni, the actor of substance and spleen, who has lately been making waves with...

From refugee camps to stardom

Khalid Mohamed in conversation with the feisty actor, Shaylee Krishnen, who spent her childhood in camps of Jammu and Kashmir,...