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Alternative Entertainment

BIRDS IN THE DARK REVIEW

A luminous tale of souls in search of light. Saibal Chatterjee’s review explores Shashank Walia’s evocative directorial deb...

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Gender

FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA

Across India, a survey of previously married singles reveals how festive gatherings intensify loneliness, comparison and press...

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Festivals

DURGA PUJA: FAITH MEETS COMMERCIALISM

Monojit Lahiri examines how Durga Puja has evolved from an intimate religious celebration into a high-profile spectacle shaped...

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Festivals

SATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA

Prof. Dr Avinash Kolhe revisits Satish K Gujral’s centenary retrospective at Mumbai’s NGMA, exploring how Partitio...

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Powerful People

ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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Trending

NANA PATEKAR: THE ACTOR UNFORGETTABLE

Nana Patekar, one of Indian cinema’s most powerful actors, leaves behind an extraordinary legacy across Hindi and Marathi cinema,...

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Alternative Entertainment

SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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Powerful People

WHEN GRIEF BECOMES ART

Vinta Nanda speaks with Divya Jagdale about Brownie, her first short film, and how grief, art and survival can transf...

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Bollywood

DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL

The final Drishyam chapter returns to Vijay Salgaonkar’s world of lies, memory and moral ambiguity, writes Arnab Banerjee, Read More

Thought Factory

THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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