INDEPENDENT CINEMA CROSSES GLOBAL BORDERS

At the Independent Waterfront Film Festival 2025, Rashmi Lamba moderated a compelling conversation on co-productions, legal fr...

STUDENT CITY SEASON 2 PART 3: BIKI’S BOHEMIAN RISE

Dr Piyush Roy chronicles Episode 3 of Season 2 of Student City, where Biki’s fearless bohemian charm, shifting loyalties...

SIZE DOESN’T MATTER: SHARIB HASHMI

In this candid interview, Khalid Mohamed speaks with Sharib Hashmi about resilience, The Family Man, Filmistaan, rejection, fa...

THE DEPARTURE OF COLOUR

The Departure of Colour, Line, and Silent Melodies is a moving tribute to master artist Narendra Nath Das, whose poetic modern...

WHEN SAI FOUGHT FOR WRITERS’ RIGHTS

Khalid Mohamed revisits Sai Paranjpye’s battle over Chashme Buddoor, exposing how India’s screenwriters continue s...

TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...