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ALTERNATIVE ENTERTAINMENT: GIRL, INTERRUPTED BUT UNCOWED

Varsha Bharath’s Bad Girl is a bold, witty, and layered Tamil coming-of-age film that examines a young woman’s chaotic journey of l...

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FESTIVALS: SHISHIR SHARMA SHINES WITH TRIUMPH

Veteran actor Shishir Sharma wins Best Actor for Kuch Sapney Apne at DCSAFF, Washington DC, marking the film’s twelfth internati...

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TRENDING: SCANDAL THAT SHOOK THE WORLD

Khalid Mohamed unspools the shocking adulterous affair in the extra-conservative era of post-independence India, and Europe, b...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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FESTIVALS: FROM BUSAN TO SUNDANCE AND BACK HOME

Indian cinema continues to find new ground on the international stage, as emerging filmmakers and bold regional voices redefine the scope of st...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...

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TRENDING: A THOUSAND QUIET EXPLOSIONS OF CREATIVITY

From provocative fiction to powerful grassroots screenings and a festival of global cultures—meet the quiet revolutionaries reshaping Ind...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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THOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE

What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...

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