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BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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WAR WITHOUT VICTORY ONLY HUMAN COST

An estimated account of the recent US–Israel–Iran conflict reveals staggering human, economic, and psychological losses, raising ur...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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CINEMA THAT BREATHES IN STILLNESS

An evocative evening of French and German short films in Mumbai explores stillness, abstraction, and instinctive storytelling, as filmm...

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DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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DELHI FESTIVAL CHAMPIONS INDEPENDENT CINEMA

The International Film Festival of Delhi 2026 launches a dynamic platform uniting mainstream and independent cinema, featuring WIFF Mumbai coll...

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HEINER GOEBBELS’ ORACLE MACHINE MUMBAI

At Great Eastern Mills in Mumbai, German composer and artist Heiner Goebbels unveiled The Oracle Machine, a mesmerizing installation of light, ...

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