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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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ALTERNATIVE ENTERTAINMENT: A DIP INTO THE RIVER OF FEMALE DESIRE

Writer-director Nidhi Saxena’s second film, Secret of a Mountain Serpent, is an exquisite piece of cinema that blurs the line between the...

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BOLLYWOOD: THE NEW BLOCKBUSTER PHENOMENON

Attention Saiyaaara’s Dazzling Debutantes...Your Time Starts Now!! Monojit Lahiri pulls back in an attempt to focus on a...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

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ALTERNATIVE ENTERTAINMENT: WHEN TWO WORLDS COLLIDE

OTT has redefined cinema with realism and bold narratives, challenging the dominance of Bollywood and Hollywood's star-driven spectacles by ech...

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RETROSCOPE: OF MEENA KUMARI & DREAMS OF HOLLYWOOD

Khalid Mohamed’s unpublished conversation with the late Saawan Kumar Tak, who despite his mega-hit movi...

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BOLLYWOOD: STARS ONCE SHINED IN SILENCE

Explore how Bollywood and Hollywood stars of yesteryear maintained mystique in stark contrast to today’s overexposed celebrity culture dr...

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GENDER: DAWN AT DUSK – THE NEW CINEMATIC PHENOMENON

Monojit Lahiri focuses on an unusual phenomenon gracing the Bengali screen in recent times – a celebration of older wome...

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POWERFUL PEOPLE: ART, LEGACY, AND INFINITE EXPRESSION

Gopika Dahanukar carries forward her mother Prafulla Dahanukar's artistic legacy, blending tradition and innovation through music, visual art, ...

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