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TRENDING: HINDUTVA, VIOLENCE AGAINST WOMEN, AND PROPAGANDA

Humra Quraishi explores Brinda Karat's latest book, about the intensified violence against women under the BJP-RSS regime, and...

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THOUGHT FACTORY: DISSENT IS A DIFFICULT PATH

All about the FTII protest against Gajendra Chauhan's appointment led by the students, including Payal Kapadia who has brought pride to the cou...

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TRENDING: IS HE A LEADER OR A PROPAGANDIST?

Was it the leader of a democratic nation or a propagandist spewing divisive rhetoric in those politically charged speeches? Humra Qurai...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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HOW CAN YOU CELEBRATE WHEN YOUR COUNTRY BURNS?

The video surfacing reveals the torture and humiliation that not just the two women faced but thousands in Manipur have while the government re...

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ALL ABOUT FRIENDSHIP

Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of...

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A MOTHER’S SILENT AWAKENING

Shantanu Ray Chaudhuri looks at one of Jaya Bachchan’s most feted performances in a rare Hindi film, Hazaar Chaurasi Ki ...

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RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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