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PRITAM AND PEDRO REVIEW VERDICT

A convention-bound cyber thriller that never quite acquires the unmistakable Hirani magic. Despite capable performances, P...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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PRIDE, IDENTITY, COURAGE, FREEDOM, REPEAT

In this Pride Month conversation, Vinta Nanda speaks with Salim Asgarally about identity, transition, family, friendship, fashion, self...

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STUDENT CITY PART 7

Prof. Dr. Piyush Roy’s nostalgic campus chronicle revisits the friendships, rivalries, romances and emotional entangleme...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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AI DISRUPTS CINEMA AND IDENTITY

As artificial intelligence reshapes cinema, actors confront the loss of control over identity, image, and livelihood, writes <...

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BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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ASHA BHOSLE VOICE OF ETERNITY

In this tribute, Khalid Mohamed revisits his intimate 2020 conversation with Asha Bhosle, capturing her irrepressible spirit, musical genius, a...

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WAR WITHOUT VICTORY ONLY HUMAN COST

An estimated account of the recent US–Israel–Iran conflict reveals staggering human, economic, and psychological losses, raising ur...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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